This subfile documents a wide array of cultural, historical, and natural landmarks across Chile from 1984 to 1995, along with three slides taken in Argentina. It includes a diverse range of photographs capturing Chilean landscapes, architecture, and archaeological sites. There are images of mining areas and geoglyphs, and scenes from locations including Arica, Parinacota, Pukará San Lorenzo, Petorca, Encanto, and San Pedro de Atacama. The collection features significant subjects such as the El Plomo Mummy, petroglyphs, historic churches in Poconchile, Socoroma, and Parinacota, and historical smelter of the Incas in Viña del Cerro. Rural haciendas, urban streetscapes, and egional sites like the German Colonial Museum in Frutillar and salmon farms at Lago Llanquihue are also represented.
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\r\nLandscape views are prevalent throughout the collection, from the Andes to the coastal beauty of Lago Llanquihue and Ancuo, where traditional houses and local markets are depicted. The photographs also include scenes of local customs, such as preparing for a parillada in Mar del Plata, Argentina.
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\r\nThere are several images of participants of a course in Conservation of Archaeological Sites by organized by the Getty Conservation Institute and ICCROM that took place in San Lorenzo, Chile in 1988.
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The locations and corresponding dates are listed below in alphabetical order by city or site:
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\r\nArgentina: Cerro Colorado (1997), Mar del Plata (1997)
\r\nChile: Angelmo (1987), Arica, Aduana (1987, 1988), Baños Morales (1995), Chiloé Bay, Ancuo (1987), Chungara Lake (1988), Copaquilla (1987), Frutillar German Colonial Museum (1987), Lake Chapo (1987), Lago Llanquihue (1987), Lago Todos Los Santos (1987), Lauca (1988), Lluta Valley (1988), Maipu Valley (1987), Ovalle (1984), Poconchile (1988), Parinacota (1988), Petrorca (1995), Precordillera (1988), Pukará San Lorenzo, Zapata Valley (1988), Pukará de Quitor (1986), San Marco (1987), San Pedro di Atacama (1986), Santiago (1987), Socoroma (1988), Vale del Encanto (1984), Viña del Cerro (1986), Zapahuira (1987), Todos los Santos Lake (1987)
\r\nSome people who were identified in the slides include:
\r\nOn slide NSP-04-027-06 Luis Briones and Juan Chacama in Chile, 1987
On slide NSP-04-027-07 Nicholas Stanley-Price and Juan Chacama in Chile, 1987
\r\n\r\nOn slide NSP-04-028-02 Carlos Weber, who worked for CONAF – Teutonico, in Aduana, 1988
\r\n\r\nOn slide NSP-04-028-07 Alexandro Alva on Aduana exercise, Chile, 1988
\r\n\r\nOn slide NSP-04-028-09 Marcelo Magadan, Argentinian architect, Alexandro Alva, ICCROM staff until 2001, and Carlos Weber, at Aduana, 1988
\r\n\r\nOn slide NSP-04-029-03 Carlos Weber in Lluta Valley, 1988
\r\n\r\nOn slide NSP-04-029-08 Group of participants of a join course in Conservation of Archaeological Sites by the Getty Conservation Institute and ICCROM at San Lorenzo, Chile, 1988
\r\n\r\nOn slide NSP-04-029-09 and 10 Luis Briones giving a alk at Zapahuira to course participants.
\r\n\r\nOn slide NSP-04-030-09 Nicolas Stanley-Price at Lake Chungara, 1988
\r\n\r\nOn slide all the images from NSP-04-035-11 to NSP-04-035-20 are of Roxana Seguel
\r\n\r\nOn slide NSP-04-045-12 Charles Love explaining Nau nau at Easter Island, 1984
\r\n"},{"label":"Archivist's notes","value":"On Sheet NSP-04-034 there are seven images of a Inca mummy from Museo de Arte Pre-Colombiana Santiago, Chile, 1984 that were not taken by Nicholas Stanley-Price.\r\n\r\nThe slides NSP-04-040-15 and NSP-04-040-20 were taken by Georgia Lee.\r\n\r\nThe slides on NSP-04-041,there are two images that were created by © 1984 UCLA Institute of Archeology J. Van Tillburg, photo by D.C. Ochsner. Some images on NSP-04-041 and NSP-04-051 of cartoons were probably produced by CONAF or were taken from an information brochure for visitors. \r\n\r\nSlide NSP-04-044-15 shows a group at Ana Kai Tangata which was a course that was joint effort of ICCROM, CONAF, and the International Centre for Conservation of Chile, in which Nicholas Stanley-Price participated as instructor. \r\n\r\nOn sheet NSP-04-049 there are four slides that were created by Georgia Lee. 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