{"@context":"http://iiif.io/api/presentation/2/context.json","@id":"https://archives.iccrom.org/iiif/manifest/en/22747","@type":"sc:Manifest","label":"Bernard M. Feilden: Papers I","rendering":{"@id":"https://archives.iccrom.org/oggetti/22747-bernard-m-feilden-papers-i","format":"text/html","label":"Full record view"},"metadata":[{"label":"Content","value":"256: Kenzo Toishi - Article, 1977-1978 (&quot;Mechanical phenomena which take place in the painting of Far East&quot;, 1978, including 56 b/w prints 6x9); Pro Venezia Viva Project - European Foundation 1977-1979 (Including correspondence with the European Centre for Training Craftsmen in the Conservation of Architectural Heritage, Venezia, and World Crafts Council, London; A.S.C.H.B<i>.</i> 1979 (Association for Studies in the Conservation of Historic Buildings, U.K.); The Building Conservation Association<em> </em>1977-1979; UNESCO/ICCROM Meeting of Regional Centres for Conservation of Cultural Heritage, 1978 (1972-1978);<br />\r\n<br />\r\n257: Papers 1974-1980 [Inspections and Reports 1974-1975; &quot;Pro Venetia Viva&quot; 1976-1977; Museums and Conservation 1978, The design of Museums 1980; Health and Safety for Conservators 1978-1980; Craftsmen in Conservation, Training in Photogrammetry, 1972-1980; Structural and Engineering Interventions 1977-1979; Roles and Duties of Cathedral Architect, Architectural Conservation, 1978-1980; Training to be a Conservator 1980]."},{"label":"Storage location","value":"Archive Repository 4/2"},{"label":"Genre - Form","value":"File"}],"sequences":[{"@id":"https://archives.iccrom.org/iiif/manifest/en/22747/sequence/normal","@type":"sc:Sequence","label":"Current Page Order","viewingHint":"individuals","canvases":[]}]}